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Two weeks later, movie theaters in Los Angeles began reopening with 25% capacity. On March 23, 2021, Regal Cinemas announced that they would reopen their cinemas beginning April 2, 2021.199 On April 19, it was announced that capacity for New York cinemas would be raised to 33% on April 26.200 The same day, California issued an addendum that orange-tier counties would be restricted to 50% with no hard cap on patrons, and that counties under the yellow Minimal tier would be allowed to operate cinemas and other selected venues at up to 75% capacity if all attendees present proof of full vaccination or a recent negative COVID-19 test. Guidance was also issued for seating sections with less physical distancing for those who are fully vaccinated.201 After filing for Chapter 11 bankruptcy protection in October 2020 and March 2021, respectively,202203 Studio movie Grill and Alamo Drafthouse Cinema respectively emerged from Chapter 11 in late-April 2021 and early-June 2021 with new funding, and some underperforming locations closed along with plans for new theaters being built.204205 On April 21, 2021, The Decurion Corporation, parent company of Arclight Cinemas, the Cinerama Dome, and Pacific Theaters, announced they would be shutting down all of its locations, due to the financial impact of the pandemic.206207 Two months later, Pacific Theaters filed for Chapter 7 bankruptcy.208
1950s growing influence of television : In the early 1950s, the proliferation of black-and-white television started seriously depressing North American theater attendance.citation needed In an attempt to lure audiences back into theaters, bigger screens were installed, widescreen processes, polarized 3D projection, and stereophonic sound were introduced, and more films were made in color, which soon became the rule rather than the exception. Some important mainstream Hollywood films were still being made in black-and-white as late as the mid-1960s, but they marked the end of an era. Color television receivers had been available in the US since the mid-1950s, but at first, they were very expensive and few broadcasts were in color. During the 1960s, prices gradually came down, color broadcasts became common, and sales boomed. The overwhelming public verdict in favor of color was clear. After the final flurry of black-and-white films had been released in mid-decade, all Hollywood studio productions were filmed in color, with the usual exceptions made only at the insistence of star filmmakers such as Peter Bogdanovich and Martin Scorsese.citation needed
The impact of a reviewer on a given films box office performance is a matter of debate. Some observers claim that movie marketing in the 2000s is so intense, well-coordinated and well financed that reviewers cannot prevent a poorly written or filmed blockbuster from attaining market success. However, the cataclysmic failure of some heavily promoted films which were harshly reviewed, as well as the unexpected success of critically praised independent films indicates that extreme critical reactions can have considerable influence. Other observers note that positive film reviews have been shown to spark interest in little-known films. Conversely, there have been several films in which film companies have so little confidence that they refuse to give reviewers an advanced viewing to avoid widespread panning of the film. However, this usually backfires, as reviewers are wise to the tactic and warn the public that the film may not be worth seeing and the films often do poorly as a result. Journalist film critics are sometimes called film reviewers. Critics who take a more academic approach to films, through publishing in film journals and writing books about films using film theory or film studies approaches, study how film and filming techniques work, and what effect they have on people. Rather than having their reviews published in newspapers or appearing on television, their articles are published in scholarly journals or up-market magazines. They also tend to be affiliated with colleges or universities as professors or instructors.
Further terminology is used to distinguish various forms and media used in the film industry. Motion pictures and moving pictures are frequently used terms for film and movie productions specifically intended for theatrical exhibition, such as, for instance, Batman. DVD and videotape are video formats that can reproduce a photochemical film. A reproduction based on such is called a transfer. After the advent of theatrical film as an industry, the television industry began using videotape as a recording medium. For many decades, tape was solely an analog medium onto which moving images could be either recorded or transferred. Film and filming refer to the photochemical medium that chemically records a visual image and the act of recording respectively. However, the act of shooting images with other visual media, such as with a digital camera, is still called filming and the resulting works often called films as interchangeable to movies, despite not being shot on film. Silent films need not be utterly silent, but are films and movies without an audible dialogue, including those that have a musical accompaniment. The word, Talkies, refers to the earliest sound films created to have audible dialogue recorded for playback along with the film, regardless of a musical accompaniment. Cinema either broadly encompasses both films and movies, or it is roughly synonymous with film and theatrical exhibition, and both are capitalized when referring to a category of art. The silver screen refers to the projection screen used to exhibit films and, by extension, is also used as a metonym for the entire film industry.
As a medium, film is not limited to motion pictures, since the technology developed as the basis for photography. It can be used to present a progressive sequence of still images in the form of a slideshow. Film has also been incorporated into multimedia presentations and often has importance as primary historical documentation. However, historic films have problems in terms of preservation and storage, and the motion picture industry is exploring many alternatives. Most films on cellulose nitrate base have been copied onto modern safety films. Some studios save color films through the use of separation masters: three B&W negatives each exposed through red, green, or blue filters essentially a reverse of the Technicolor process. Digital methods have also been used to restore films, although their continued obsolescence cycle makes them as of 2006 a poor choice for long-term preservation. Film preservation of decaying film stock is a matter of concern to both film historians and archivists and to companies interested in preserving their existing products in order to make them available to future generations and thereby increase revenue. Preservation is generally a higher concern for nitrate and single-strip color films, due to their high decay rates black-and-white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming proper handling and storage.
Distribution Main articles: Film distribution and Film release. Film distribution is the process through which a film is made available for viewing by an audience. This is normally the task of a professional film distributor, who would determine the marketing strategy of the film, the media by which a film is to be exhibited or made available for viewing, and may set the release date and other matters. The film may be exhibited directly to the public either through a movie theater historically the main way films were distributed or television for personal home viewing including on DVD-Video or Blu-ray Disc, video-on-demand, online downloading, television programs through broadcast syndication etc.. Other ways of distributing a film include rental or personal purchase of the film in a variety of media and formats, such as VHS tape or DVD, or Internet downloading or streaming using a computer.
Due to the unprecedented interruption of film productions caused by the pandemic, the Locarno Film Festival in Switzerland has asked directors including Lucrecia Martel and Lav Diaz to select films from the festivals 74-year history for a retrospective that will be screened online and in physical locations.7273 The Toronto International Film Festival announced that it would make masks optional once attendees were seated for film screenings. The actions were criticized for creating a potential superspreader event as the social nature of the festival could increase the risk for COVID-19 transmission.74 It reversed the decision within 24 hours citing a surge of new cases in Ontario.75
Warner Bros. followed Disney by announcing the postponement of the rest of their upcoming slate on March 24. Tenet was pushed from July 17, 2020, to July 31, 2020, then August 12, 2020 before it was held up indefinitely.108 Wonder Woman 1984 was pushed to August 14, 2020, then to October 2, 2020, and then again to December 25, 2020, with Scoob!, In the Heights, and Malignant being delayed indefinitely. This resulted in Scoob! not having a theatrical release in North America and that film went straight to video on demand, while In the Heights moved to its new release date of June 18, 2021.109 Prior to this, on March 19, Universal and Illumination announced that Minions: The Rise of Gru had been pulled from its intended release date of July 3, 2020, not only due to the pandemic but also due to the temporary closing of its French Illumination Mac Guff animation studio in response to the pandemic, which would leave the films animation to be unfinished on its original date.110 On April 1, 2020, the film was rescheduled for July 2, 2021 taking the planned release date of Sing 2, a year after its original date.111
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